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Edited by Tobias Gloecker. For double bass & orchestra. Urtext Edition. Edition for double bass & piano by Christoph Sobanski. Preface in Ger. and Eng. This edition
Edited by Anna Pulkkis. For violin & piano. Urtext Edition based on Series IV, Vol. 6 of the Jean Sibelius Works complete edition. Introduction and Ger. and Eng. Score, 17 p. and part.
A German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass,
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Exactly 300 years after Bach completed his unique cosmos of the Sei Solo a Violino senza Basso accompagnato, Kolja Lessing is presenting a collection, rich in discovery, of also 6 solo violin works inspired
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Kuhnau’s Magnificat in C major is – apart from his Biblical Sonatas – considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed
Jean Sibelius composed far less music for the cello than for the violin. Malinconia (op. 20) – published in 1911 but composed in 1900 under the title Fantasia – remained his only opus-numbered
Edited by Malcolm Bruno & Caroline Ritchie. Piano vocal score by Andreas Koehs. For soloists, choir & orchestra. Critical Edition with the original English text by Charles Jennens as well as
The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text
That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Overture,
Diverging from the classical-romantic tradition, Brahms used the key of E-flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The
Edited by Henrik Wiese. For orchestra. Urtext Edition. Contains the 1st and 2nd versions of this work. Orchestral parts are available separately. Score, 76 p.
Edited by Christoph Flamm. For orchestra. Urtext Edition. Preface in Ger. and Eng. Duration: ca. 50'. Parts available separately. Full score, 212 p.
During his Bohemian spa trip in September 1811, Beethoven notated the first sketches for the Seventh Symphony, a work that occupied him until May 1812 – parallel at times with its disparate sister
Edited by Christian Rudolf Riedel. For orchestra. Urtext Edition. Preface in Ger. and Eng. This revised edition is published in a larger format. It includes improvements over the previous 1990
Edited by Anna Pulkkis. For violin & piano. Urtext Edition based on Series IV, Vol. 6 of the Jean Sibelius Works complete edition. Introduction in Ger. and Eng. Score, 16 p. and part.
Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today’s concert repertoire. When in 1838 the